视频推荐
电影ghost,蜜月
电影绝地逃生,律师
少儿不宜电影,决不让步【影视解说】
10排2d电影坐第几排好,对不起,我们错过了你【影视解说】
德国ggg电影,最后一封情书【影视解说】
神秘的大佛电影,泰恐怖校园怪谈[电影解说]
电影 奇异博士,尸咒[电影解说]
电影女生宿舍3,A3!满开剧团 秋&冬
k8经典大尺度电影在线观看,婚礼小屋【影视解说】
驯鹿大竞赛 电影粤语,对你的想象【影视解说】
童林传电影,初见倾心【影视解说】
电影剪辑思路,结城友奈是勇者 大满开之章
赤峰号电影,辉夜大小姐想让我告白:天才们的恋爱头脑战第一季国语版
68天电影无删减版,爱情三选一【影视解说】
红警电影,不要见怪【影视解说】
日本电影好看的,极速牵绊 地球先锋队国语版
秒全影视app,逃离“自由”电影院
神鬼妙计电影,选举日[电影解说]
美国电影经典,阴险的地狱[电影解说]
你是我的兄弟电影剧情介绍,布袋头[电影解说]
影视电视剧全集,游乐设尸[电影解说]
周弘 电影,猴女
电影听说在线观看完整版免费,爱在云霄【影视解说】
车警官电影,義勇超人【影视解说】
草莓影视网址,汉尼拔【影视解说】
神话电影成龙国语在线观看,招魂【影视解说】

拉莉萨

类型: 短片,传记,剧情片,剧情
地区: 其它
年份: 1980
主演: 依莱姆·克里莫夫,Valentin Rasputin,Stefaniya Stanyuta
导演: 依莱姆·克里莫夫

剧情介绍

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
热门推荐